SONY PMW-F55 CineAlta camera
Compact, versatile and future-ready, the F55 gives cinematographers and directors plenty of good reasons to pick CineAlta. Find out why it’s the prime choice whenever you need superlative 4K picture quality and near-limitless creative
It’s the camera that’s always evolving to keep pace with film-makers’ needs. Latest firmware for the F55 adds extended colour space support, high frame rate 16-bit 4K RAW recording, fresh ergonomic refinements and more.
Find out what’s new It’s the camera that’s always evolving to keep pace with film-makers’ needs. Latest firmware for the F55 adds extended colour space support, high frame rate 16-bit 4K RAW recording, fresh ergonomic refinements and more.
Compact, versatile and future-ready, the F55 gives cinematographers and directors plenty of good reasons to pick CineAlta. Find out why it’s the prime choice whenever you need superlative 4K picture quality and near-limitless creative
It’s the camera that’s always evolving to keep pace with film-makers’ needs. Latest firmware for the F55 adds extended colour space support, high frame rate 16-bit 4K RAW recording, fresh ergonomic refinements and more.
Find out what’s new It’s the camera that’s always evolving to keep pace with film-makers’ needs. Latest firmware for the F55 adds extended colour space support, high frame rate 16-bit 4K RAW recording, fresh ergonomic refinements and more.
The Cinematic VariCam Look in Your Hands
Compact Size, Light Weight and Top Cinema Quality --
The VariCam LT Debuts.
Say hello to the newest addition to Panasonic’s cinema camera line.
The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a "REVOLUTION" in streamlining workflow.
The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera.
The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.
One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). This allows for even greater versatility in lens selection when shooting with the VariCam LT.
The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have a dual codec recording function that allows the user to record a primary or “main” codec as well as a smaller proxy file. In addition, each camera offers an in-camera color grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.
Compact Size, Light Weight and Top Cinema Quality --
The VariCam LT Debuts.
Say hello to the newest addition to Panasonic’s cinema camera line.
The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a "REVOLUTION" in streamlining workflow.
The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera.
The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.
One new feature that has been added to the VariCam LT is the EF lens*1 mount which offers a wide array of lens choices. The EF mount*1 can be removed by an end user and replaced with a PL mount (optional). This allows for even greater versatility in lens selection when shooting with the VariCam LT.
The VariCam LT workflow is very similar to that of the VariCam 35. Both cameras have a dual codec recording function that allows the user to record a primary or “main” codec as well as a smaller proxy file. In addition, each camera offers an in-camera color grading function and support for AVC-Intra 4K and Apple ProRes*2 codecs.